Kickstand Productions Presents
Trigger Hippy, Dance Bullies
“We’ve come Full Circle And Then Some,” goes the chorus to the title track of Trigger Hippy’s sophomore album, and it’s the perfect description of the long road these experienced musicians have traveled to harness their collective roots – from country, Delta blues, R&B and gospel to Southern rock and funk. Trigger Hippy co-founders, former Black Crowes drummer Steve Gorman and songwriter bassist Nick Govrik, believe the band’s sophomore album, on Turkey Grass Records distributed by Thirty Tigers, embodies the music and vision they’ve chased since the two met 15 years ago.
For Steve, working with Thirty Tigers is personally significant: it reunites Gorman with Thirty Tigers founder/owner David Macias. Over 30 years ago, Macias played a pivotal role in the development of first recording contract for The Black Crowes.
The new collection spotlights Trigger Hippy’s patented call-and-response duets and three-part vocal harmonies, with a stylistic range that encompasses traditional country plaints (“Strung Out on the Pain”), classic rockers (the title track), honking blues (“Dandelion”), a Basement Tapes-ish swamppop nod to the devastation of Katrina (“Goddamn Hurricane”), Dr. John-meets Allen Toussaint bayou grooves (“Long Lost Friend”) and even a psychedelic “trance/dirge raga” (“Born To Be Blue”).
Recorded largely in a small hillside home, dubbed the Tree House, in Nashville’s eclectic Love Circle district, the album boasts some of the city’s finest musicians, including longtime Willie Nelson harp player Mickey Raphael, Jason Isbell and the 400 Unit’s guitarist Sadler Vaden, guitarist/mandolin player Guthrie Trapp, London-born pedal steel player Spencer Cullum, and guitarist Sol Philcox- Littlefield, among others.
Trigger Hippy’s co-founders – Gorman and local Nashville mainstay (and restaurateur) Govrik – first met shortly after Gorman moved to town in 2004, taking part in a jam session organized by Govrik at a local music haunt, the Family Wash.
“We hit it off right away,” says Govrik, whose own love of southern rock icons like Lowell George, Leon Russell and Levon Helm can be heard throughout. “Steve was like a freight train barreling from the get go. He played the show like it was Madison Square Garden, and we just been doing it virtually non-stop ever since.”
For Govrik, who’d spent more than a decade with his ‘90s group Highwater, a “boogie-woogie, dance bar band”, and recorded three albums at the famed Muscle Shoals studios for Mississippi blues label Malaco. he longed for another opportunity to be part of a group, and Trigger Hippy more than fit the bill.
The first incarnation of Trigger Hippy took place in 2009 at a benefit for the Allman Brothers Big House Museum at the Cox Capital Theatre in Macon, GA.
“We were just a full-on rock jam cover band initially,” says Gorman, looking for a new direction after his roller coaster ride as co-founder of the Black Crowes – which he details in his upcoming memoir, Hard to Handle: The Life and Death of the Black Crowes. “But once I heard Nick’s songs, I realized his tunes were a great starting point for us. We share a common sensibility across the board about music.”
In 2014, joined by singer Joan Osborne and guitarist Jackie Greene, the band released its self-titled debut on Rounder Records, taking a “let’s see what happens” approach, performing some 40 live dates over seven months.
Says Gorman: “Nick and I always pushed for more of a commitment to become a functioning, fulltime band, but everyone had their own things going on, which made it difficult to keep that lineup together. We always had a vision and an idea of what we wanted to do.”
After a lengthy break, a new lineup emerged with multi-instrumentalist and vocalist Ed Jurdi (Band of Heathens) and vocalist/sax player Amber Woodhouse joining Gorman and Govrik. “We took our time -- we knew the chemistry had to be right. With Ed, we found our new direction right away and when Amber came along, we knew we’d found the final piece.”
“This is the culmination of a 15-year conversation, and I mean that literally and musically,” explains Gorman of his partnership with Govrik.
It’s no surprise that Trigger Hippy is built on a rhythm section because each song on Full Circle and Then Some starts with a solid foundation that underlines its many strengths.
According to Govrik, Full Circle and Then Some is the band’s story to this point. “We never really wavered, we just kept going. We’ve come full circle because we believed in each other, even with the changes this band has been through…new lineup, new commitment.” He concludes, “We’re doing this the way we want to, the way we want it to sound…and that’s the beauty of this.”
Midwest born and raised. Hailing from the cornfields of small-town USA, Dance Bullies first came to be in 2012. Colleen Harvey has been singing and writing songs her entire life. Some of her first memories are of lyrics floating through her head. Constantly accused of daydreaming, the more they came, the more she realized that she needed to get them out.
Along the way, more wonderful additions have made their way into the lineup. Jeff Lyman (Joe Wortell and the Natural Law, Dead River Revival), a musical force to be reckoned with, rounds out their sound with everything from pedal steel to banjo. Mark Cichra (Ultura, Faces of the Bog) contributes lead and rhythm guitars (and other stringed goods - a true wizard!), while Dina Simone (Murder City Saints) keeps it all together on bass. Giovany Revelle completes the crew on drums and percussion.
Playing across the midwest, Dance Bullies have shared the stage with national acts such as Hurray for the Riff Raff and Fruition.