Kickstand Productions Presents!
The Academic, August Hotel, The 1 Class
Nothing will ever feel as free as the first time you hit the recording studio to lay down your
own music, a rush that Irish foursome The Academic channeled perfectly on their 2015 debut
EP ‘Loose Friends’. The joyful intensity of those early songs was all ripped jeans and carefree
nights, as the band sang about youthful passion with optimistic fervor and a cheeky wink.
That irresistible charm, undeniable wit, and infectious personality shines through again on
their highly anticipated debut full-length ‘Tales From The Backseat,’ proof-positive of the
band’s embodiment of a refreshing tonic and barrage of fireworks rolled into one. Leaping
from mellow, artfully constructed melodic thoughtfulness into wild, explosive moments of
raucous brilliance, there’s a surprise around every corner within The Academic’s music and
songwriting, all executed with an undeniable measure of passion and grit.
Now in their early twenties, The Academic are one of the most exciting new acts coming out of
Ireland. Growing up in the rural town of Mullingar, about an hour west of Dublin and set in
the very heart of Ireland’s agricultural midlands the four met in high school, becoming firm
friends through their shared of love of toasted sandwiches, Nicholas Cage movies, and of
course, music, with each having their own unique influence. Brothers Stephen and Matt
Murtagh favored Britpop, Craig Fitzgerald rap, while ‘dark-side’ Dean Gavin was into metal.
Those differences soon blended into a shared enthusiasm for the early 2k NYC rock revival
lead by the likes of The Strokes, Interpol and Yeah, Yeah, Yeahs and that post-punk sound
made an indelible ‘watermark’ on The Academic’s music.
For the four members of The Academic, one thing was clear: they were always going to make
music. From their very first gig - an underage school disco where they performed a shoddy
MGMT cover with a nerve-wracked Craig on lead-guitar - to their appearance on Battle of the
Bands when they came a resounding last, these four Irish Midlanders were resolute in their
determination to share their music.
They started shredding through their local live scene. “We played a lot of parties, pubs, clubs,
with our friends in the crowd,” says Matt. “It was hot, sweaty and full of energy. We didn’t
know what we were doing but those shows were a lot of fun to play, especially the ones where
the crowd was on the same level as the band.”
“We realized pretty quickly that this is all we wanted to do” chips in Craig. A live show styled
at supporting local bands and playing half-filled pubs on bingo night, now takes to much
larger stages across the globe. The Academic have gone on to play Ireland’s premier indoor
venue, the 3Arena, sold out tours across Ireland, the UK and Europe and have shared stage
space with international headliners such as Twenty One Pilots and Catfish & The Bottlemen.
One quite serendipitous twist saw them break festival bread with tier-1 rock-revivalists, The
Over time, they became more comfortable in the studio, refining their sound and the youthful
perspective in their songwriting. Released in 2015, the ‘Loose Friends EP’ earned them
domestic acclaim, while 2016’s “Mixtape 2003” single broke them on the international stage -
particularly thanks to the support of UK’s biggest radio station BBC1 who have continued to
heavily support. Why Can’t We Be Friends, the latest track to be unveiled from their
forthcoming debut album entitled ‘Tales From The Backseat’, was recently made ‘Hottest
Record in The World’ by BBC Radio 1’s Annie Mac, one of UK’s most influential tastemakers.
The Academic write indie rock stories from a personal perspective; experiences that are
pertinent to their personal geography, but remain universally relatable. Their stories hinge on
the central theme of growing up in a small Irish town; seeing life from the side where the
grass isn’t always so green, but at the end of the day, it’s still your turf. On songs like “Mixtape
2003” and “Bear Claws,” The Academic commune with the teen selves they’ve left behind as
they embark on their 20s. “Bear Claws” in particular nails their onstage spirit, and shows a
band fast approaching their zenith.
“Our songs are stories about everything from relationships, to nightlife, to a dissatisfaction
with the ‘what’ and ‘where’, and a longing for bigger and better things,” explains Matt. “I think
what is interesting about our songs is that they give the world a glimpse of what adolescent
life is like in small town Ireland.”
Their songs chronicle the relief of pitch-black teenage winters finally giving way to the adult
bright lights beyond their native Mullingar flatlands. But as their lyrics hint, with freedom
comes newfound anxieties. In their words: “It’s about recognizing that life can’t be all fun and
games forever, but that it’s still okay to have a good time.”
From the moment Joe Padilla sent them low-quality cellphone footage of him singing an LCD Soundsystem song in a bar, high school friends and previous bandmates Ryan Lammers (guitar/production), Craig Schwartz Jr (keyboards), Dean Sinclair (drums), and Cale Singleton (bass), knew they were onto something special. Beginning when Lammers and Sinclair first met as long-haired pre-teens competing in a local talent contest, the pieces of August Hotel slowly fell into place as its members moved through adolescence. Padilla’s grainy audition videos were the final bit of the puzzle and, just over a month later, August Hotel was in the studio working on what would become their new EP, Charms.
Reflective yet euphoric—with pulsating synthesizers, shimmering guitars, and Padilla’s rich baritone weaving through it all—the EP’s first single, “12AM,” depicts August Hotel’s unique take on the indie pop genre. This track showcases their keen ability to effortlessly emulate both the pulsing dance floor and the quiet, lonely night. Shortly after its release, “12AM” received airplay on Chicago’s 101WKQX and was declared “an indie pop giant,” as well as "one of the coolest things that we’ve ever seen or heard" by popular London blog Killing Moon, which later featured the song on their compilation New Moons, Vol. VII.
Charms both upholds and diversifies beyond the feel established on “12AM,” as evidenced by the driving groove of its follow-up and EP opener “Michigan Again.” Self-produced and meticulously crafted, Charms draws on the influences and experiences of all five members to serve as a testament to August Hotel’s deep passion for the music they create and perform. Ultimately, it is a story of youth and what it means to be faced with the uncertainties of love and life. As much as the record forces you to pause in contemplation for a moment, there exists an inherent urgency to move—and move fast.
Live, August Hotel has shared stages with the likes of Urban Cone, Nightly, Vesperteen, The Kickback, and Knox Hamilton, as well as headlined clubs around Chicago and the Midwest.
This band and this EP have been a long time coming, but make no mistake that this is only just the beginning for this dynamic group. In the words of Vox Magazine, August Hotel is “a band on the cusp of a breakthrough journey.”